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The tourist department of the town of Almoradí in the
heart of the Vega Baja has been organising and running
its popular ‘green’ and ‘cultural walks’ for some time now
and as I live very near the town I thought it was high time
that I went on one myself and discovered more about the
place. All the walks start in the main square on a Saturday
morning by the tourist information kiosk. At the moment
only the cultural walk is being run due to the weather and
condition of the fields around the town, however the
country walks will be starting in March so look out for
details in the CoastRider or go along to the tourist
information centre in the town. As I said at the
beginning, the walks have proved to be enormously
popular and about 40 people turned up for the
‘Cultural walk’ last Saturday to be greeted by our
guide for the morning Yelda Fernandez who is also
a local teacher. We were all given a ‘goody bag’
containing illustrated booklets guides describing
the places we were to visit and also the country
walks. In addition there was a copy of the cultural
programme for the town’s theatre for the months of
January and February. The booklets are in Spanish
and English.
It was the local theatre, the Teatro Cortes, that
was to be our first stop on this hour and a half walk
through the town. This charming building, known locally
as ‘the chocolate box’ because of its colours of red and gold
and compact size, was built at the turn of the 20th century
financed and sponsored by a rich landowner Mariano
Cortés Próxedes. He wanted to give the town, of less than
five thousand inhabitants at that time, a cultural centre
after the whole area had been destroyed in the 1829
earthquake. The original styling of the theatre has been
maintained and owes much to the 19th century rather
than the 20th century. Having being closed for 17 years
between 1971 and 1988 it now plays host to plays, films
and other forms of entertainment. In the foyer there are
pictures of many of the actors, singers and entertainers
who have graced its delightful stage.
From the theatre we walked through the busy streets,
Saturday is market day in Almoradí, to the Girona Chapel
in calle de España. Originally built as a private chapel for a
wealthy local family, the chapel has been used as a blood
hospital and a girls’ school before being extensively
refurbished by the town council and is now used as an
official reception room by the town hall.
Our last stop was the church in the main square ‘La
Iglesia de San Andrés’, the church of Saint Andrew. The
current Christian church, which is built on the site of a
mosque in use when the town was under the control of
the Moors, is the fourth Christian church to have been
raised on the site. The current building, constructed after
the earthquake of 1829, is not apparently as splendid as
the previous but has many beautiful statues of saints in
small alcoves and paintings around the altar. It is a very
large cavernous building inside and when we visited a
local children’s choir was practising near to the front of the
church, a beautiful sonic backdrop to the knowledgeable
commentary from Yelda, our guide. One of the statues is
‘Christ of the Bells’ which survived the earthquake
protected by one of the bells that fell to the ground. ‘Christ
of the Bells’ has become a local fiesta celebrated on the last
Sunday of September. Incidentally the story behind the
naming of the church is rather interesting. Apparently
when Jaime I was busy reconquering Spain for the
Christians he saw a golden diagonal cross on the top of
the mosque in Almoradí like the cross of St Andrew. The
Christian troops besieged the town on the saint’s day,
November the 30th, seeing it as a good omen. The
Christians recaptured Almoradí and subsequently named
the new Christian church after the saint on whose day the
battle had been successfully fought.
At the end of the tour a group of students from the local
music school played in the doorway of the church, a fitting
end to a very enjoyable morning. We had all learnt a lot
more about the history and culture of the area in which
we live. |